By 1995 pure black metal was all but dead, but a sudden spastic corpse-twitch erupted in the form of Belkètre’s March To The Black Holocaust, a misanthropic lo-fi evacuation from the bowels of Les Légions Noires in whose mythology the Black Holocaust is an apocalyptic judgement day when the world’s human cattle – those enslaved by religion – will be brutally trucidated in a monumental vampiric carnage. Conjuring a venomous, reptilian sound to match this vision of mass slaughter and torrential blood-letting, March To The Black Holocaust stands as the true black metal cult’s murderous and nihilistic last breath.